Works in Progress

Book manuscript, Flesh and Stone: An Imaginary Museum for Chinese Female Revolutionary Martyrs

“Labor and Leisure: Chess and Card Playing in Chinese Socialist Literature”

“Contested Memories: The Making and Unmaking of a Chinese Revolutionary Martyr Liu Hulan” (under review)

Refereed Articles

“Writing Against Peripheralization: Glorifying Labor in Chinese Socialist Literature.” Modern Fiction Studies, 68.1 (2022), pp. 173-194.

“Meat, Ghost, Tumor and Goddess: The Afterlife of a Female Martyr.” Chinese Oral and Performing Literature, 40.1 (2021), pp. 1-15.

“Traveling Theory: Maoism and the Cultural Revolution in Western Interpretations.” CLCWeb: Comparative Literature and Culture, Vol. 20 (2018), Issue 3.

“Langxian’s Dilemma over the Cult of Martyrdom and Filial Piety: A World of Emptiness in ‘The Siege of Yangzhou.’” Ming Studies, Issue 72, 2015, pp. 46-68.

The Construction of the Image/Myth of a Martyr in the Cultural Revolution: An Interpretation/Demythicization of The Song of Ouyang Hai.” Comparative Literature Studies, Volume 52, Number 1, 2015, pp. 145-159.

Non-refereed Articles

With Jiangang Yang. “Marxism and Form: An Interview with Professor Fredric Jameson.” Wenyi lilun yanjiu 文藝理論研究 [Theoretical Studies in Literature and Art], 2(2012): 77-81.

“Kanjian jingguan huo kanjian fengjing.” 看見景觀,或看見風景 [Seeing the Spectacle or Seeing the Scenery: A Review of Guy Debord’s Society of the Spectacle]. Wen jing文景 [Culture Review], 11(2006): 10-12.

Monographs (non-academic)

Chuangyi zhongguo 創意中國 [Creativity in China]. Beijing: China Intercontinental Press, 2007.

Creativity in China, translated by Song Peiming. Beijing: China Intercontinental Press, 2007. (English translation of Chuangyi zhongguo)

Translations (English to Chinese)

Stephen Durrant. “Translating Zuozhuan into English: Looking Back on a Ten-Year Project.” Longxian Li, Fengyuan Chen, Di ba jie zhongguo jingxue guoji xueshu yantaohui lunwen xuanji 第八屆中國經學國際學術研討會論文選集 [Selected Works from the 8th International Conference on Chinese Classics]. Taipei: Wanjuan lou, 2015, pp. 415-429.

Carl Friedrich von Rumohr. “On Giotto.” In Yishu lilun jiben wenxian 藝術理論基本文獻 [Documents of Western Classical Art Theories], edited by Xian Zhou and Manting Yin, Beijing: Sanlian shudian, 2014, pp. 177-191.

Slavoj Zizek. “The Family Myth of Ideology.” In Shehui pipan lilun jishi 社會批判理論紀事 [Register of Critical Theory of Society], Volume 3, edited by Yibing Zhang, Nanjing: Jiangsu renmin chubanshe, 2009, pp. 55-74.

Stephen Durrant. “The Tempest of Participation: Sima Qian’s Portrayal of His Own Era.” In Stephen Durrant, Steven Shankman, The Siren and the Sage: Knowledge and Wisdom in Ancient Greece and China, London; New York: Cassell, 2000, pp.116-137.